Ebook La Theorie Sensorielle: I- Les Analogies Sensorielles (French Edition), by Philippe Roi, Tristan Girard
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La Theorie Sensorielle: I- Les Analogies Sensorielles (French Edition), by Philippe Roi, Tristan Girard
Ebook La Theorie Sensorielle: I- Les Analogies Sensorielles (French Edition), by Philippe Roi, Tristan Girard
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Au 4e mill�naire avant notre �re, dans le sud de la M�sopotamie, les Uruk�ens inventent sept outils remarquables : l'araire, le moule � briques normalis�, l'�criture, la comptabilit�, la harpe, le m�tier � tisser vertical et l'image de c�nes. Or, toutes ces inventions sont calqu�es sur des m�canismes biologiques qui permettent aux organes sensoriels de transmettre leurs informations au cerveau. Comment les Uruk�ens ont-ils pu inventer ces instruments dont les dispositifs sont tout � fait analogues � des m�canismes biologiques pourtant microscopiques, alors qu'ils ne disposaient d'aucune technologie pour les observer ? _____ Pour r�pondre � cette question, les auteurs de La Th�orie Sensorielle ont, pour la premi�re fois, reli�s des savoirs jusqu'alors fragment�s et compartiment�s entre diverses disciplines. Leurs recherches sur le codage et le traitement de l'information par le cerveau ont �t� r�alis�es avec la collaboration de biologistes, de neurologues et de m�decins sp�cialistes (INSERM, CNRS, Institut des Neurosciences de Montpellier, ESPCI-Laboratoire de Neurobiologie, Institut Pasteur, H�pital Europ�en Georges Pompidou, Institut Cochin) mais aussi d'arch�ologues et d'historiens (Deutsches Arch�ologisches Institut, Mus�e du Louvre, Vorderasiatisches Museum, Universit� de la Sorbonne, UCLA, University of London, EHESS). _____ Author Bio: _____ Philippe ROI, n� en 1959 � Paris, est l'ancien Directeur de Publication du Courrier de l'Intelligence Artificielle (1986-1987) ; ancien Directeur d'un Cabinet sp�cialis� dans le Partenariat Europ�en Industriel et Scientifique pour les Programmes de Recherche de la Commission Europ�enne (1988-1993). Il est aujourd'hui cogniticien consultant. _____ Tristan GIRARD, n� en 1969 � Saint-Cloud en France, est dipl�m� de Cr�ap�le-ESDI en Design Global (promotion 1995). Apr�s quelques ann�es de travail en ind�pendant pour des soci�t�s de Design graphique et produit (Sylvie de France et Alain De Mourgues, Christian Lacroix, Quadra, Kobs & Draft...) Il est aujourd'hui sp�cialis� dans le dessin et le mod�le 3D en Arch�ologie, Biologie et Ing�nierie. _____ keywords: Sciences Cognitives, Perception Sensorielle, Sens, Cerveau, Non-Conscient Cognitif, Arch�ologie, M�sopotamie, Uruk, Inventions.
- Sales Rank: #6482420 in Books
- Published on: 2013-12-14
- Original language: French
- Number of items: 1
- Dimensions: 9.21" h x .69" w x 6.14" l, 1.02 pounds
- Binding: Paperback
- 330 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
A most imaginative insight into man's creativity
By Richard Dumbrill
This fascinating work is more a collection of essays than it is a continuous volume. However the descriptions in each archaeological and bio-neurological section are indisputably accurate and written in a clear language with contributions of leading academics. There is no room for circumstantial evidence as the analogies here presented are indubitably justified.They lead to the hypothesis of an underlying non-conscious cognitive process. The authors, Philippe Roi and Tristan Girard, will reveal, in a forthcoming volume, the thesis by which a 'neural code' would elucidate the causes and consequences of the analogies presented in this first tome. The illustrations are excellent and add to the understanding of the given analogies. There is no doubt that this publication will lead to fierce opposition, as it is the case with every significant contribution to the corpus of neural-scientific research, and will help strengthen the thesis.
Richard Dumbrill
0 of 0 people found the following review helpful.
Original, Exciting Scholarship
By nick turner
This is a fascinating and I think ground-breaking book, whose argument is backed up with excellent illustrations. It enhances our understanding of how the senses function, and how the development of various instruments has been inspired by them. It is clear, readable and intellectually stimulating. A great book.
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